Caroline True Records are very proud to present a striking & singular brand new release in the Matt Sewell's A Crushing Glow Presents series!
DrumTalk - Out Of The Blackness, Into The Blue (12")
Formats: Strictly Ltd Edition (500) 12” Blue Colour-In-Colour Vinyl & striking Limited Edition Matt Sewell Phenakistiscope Print With Initial Copies.
Caroline True Records are very proud to offer a brand new Matt Sewell's A Crushing Glow collaboration with esteemed London based producer DrumTalk.His output has graced labels such as Soundway, Huntley & Palmers & Get Me ! Matt has curated this release & created, once again, very lush sleeve artwork. A lush cosmic journey through sound & vision ..
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It was amazing to work with my good old friend DrumTalk with his two tracks for my A Crushing Glow Presents series on Caroline True Records. Inspired by Nathaniel's beautiful, spiritually elevated and cosmic music the artwork hopefully transcribes a cosmic journey, carried on a whirling wheel of celestial birds through the stars. Always being one to try and capture a little bit more magic i created an phenakiscope print accompany the pieces. - MS
Thanks to Richard Hammerton for photos and JK from CTR as ever.
Some glowing words.
Piccadilly Records: Continuing their endless string of essential releases, Caroline True bring us the latest collaborative project from the mighty Matt Sewell, this time with london producer DrumTalk. Taking to the Secret Sundaze studio, DrumTalk drifts away from the club-focus of his releases on Tru-Thoughts, Soundway and Huntley & Palmers, syncing into the sublime vibrations of A Crushing Glow for two meditative synth suites. On the A-side, "Out Of The Blackness, Into The Blue" delivers drum box bossa, dreamlike sequences and celestial bliss-tones, making a connection with a wider cosmic consciousness. If you dig on the library styles of Clara Mondshine, the spacier, synthier end of the kosmische spectrum or the slow and spangled moments of Patrick Cowley's porn oeuvre, you're gonna love this. The flip continues the cosmic voyage, enjoying a little extra thrust from a blorpy bass synth as we lose ourselves in the nebulous goo of e-flute, fluttering sine waves and warming white noise. I imagine this is what Arthur C Clarke's Starchild listened to when he was getting stoned...
Ban Ban Ton Ton: The Celestial Garden sort of Electro-Sambas towards its breakdown. Where upon it floats in a flurry of synthesised flute. Kind of Antena, given 21st Century bass heft, meets New Age. If mixed by Motion Graphics.
Out Of The Blackness, Into The Blue is a tune for dawn. Electronics that evoke images of woodland, and wildlife. Nature`s chorus. If not organic, then decidedly analogue. With vintage sounds sometimes fuzzy, distorted. As if they might have been sampled from a 78. A rhythm box metronome stuttering “Tch Tch Tch Tch Tch Tch Tsssss” and the Kosmische pastoral of Cluster`s Sowiesoso sharing birdwatchers binoculars with Basil Kirchin`s Charcol Sketches and Brian Bennett`s Early Spring.
Test Pressing: A new two track DrumTalk 12”, released in collaboration with celebrated illustrator / enthused ornithologist Matt Sewell’s ‘A Crushing Glow’, came a little out of nowhere; but then that’s what this record’s all about – surprises. ‘Out of the Blackness, into the Blue’ develops the sound set of previous, more muscular DrumTalk releases but these tracks take a different tack, finding freedom in serenity, loose from the mechanics of the club. Not so much an about-turn, more a drift towards new horizons.
The first moments set the tone for the next 15 minutes: a rising melody joined by its double, wandering bassline, auto-rhythm, fx, noise. Both sides of the record open up and find space to breathe, pausing for a few moments to check you’re caught up before setting off again. There’s a lot of playful nostalgia here for sure; Berlin/whatever-Schule, Japanese avant pop, Eno etc. but these are for reference only, quick coordinates that put you in the right hemisphere – but still off course. Like the sadly departed Subway, DrumTalk takes these sounds as a starting point for analog pop that’s never saccharine and comes highly recommended.